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 James Hadley Chase

James Hadley Chase has been hailed as 'the thriller maestro of the generation', 'the king of all thriller writers' and a 'master of the art of his deception'.  During his life, he wrote some eighty titles, each one thrilling and delighting his readers with their fast-moving tales of murder, intrigue, blackmail and espionage. Hadley Chase was born René Brabazon Raymond and he also wrote under the names of James L Dochery, Ambrose Grant and Raymond Marshall.

He was born René Brabazon Raymond in London in 1906. Whilst working as a bookseller he was inspired by American crime-writers and went on to write his own thrillers and gangster stories, also set in the United States.  Success came with No Orchids for Miss Blandish which was published in 1939 and was one of the most successful books of the thirties, selling several million copies. George Orwell described it as 'a brilliant piece of writing with hardly a wasted word or a jarring note anywhere'. It was subsequently dramatised and performed on London's West End, and also made into a film. 

Chase went on to gain popularity for his numerous other gangster stories, and by the end of the war he was one of Britain's most successful thriller writers. During his career he travelled widely and produced some ninety books, also writing under the names of James L Dochery, Ambrose Grant and Raymond Marshall, although ironically he only visited the USA late in life, relying previously upon knowledge gleaned from dictionaries of slang and encyclopedias for the novels set there.

His interests included photography (he was up to professional standard), reading and listening to classical music, being a particularly enthusiastic opera lover. Also as a form of relaxation between novels, Chase put together highly complicated and sophisticated Meccano models.

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Ace Up My Sleeve (An)
Ace Up My Sleeve (An)
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Ear To The Ground (An)
Ear To The Ground (An)
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Fast Buck (The)
Fast Buck (The)
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Goldfish Have No Hiding Place
Goldfish Have No Hiding Place
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Guilty Are Afraid (The)
Guilty Are Afraid (The)
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Hand Me A Fig Leaf
Hand Me A Fig Leaf
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Have A Change Of Scene
Have A Change Of Scene
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Have This One On Me
Have This One On Me
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Hit And Run
Hit And Run
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Hit Them Where It Hurts
Hit Them Where It Hurts
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Just A Matter Of Time
Just A Matter Of Time
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Knock, Knock! Who's There?
Knock, Knock! Who's There?
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Like A Hole In The Head
Like A Hole In The Head
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Make The Corpse Walk
Make The Corpse Walk
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More Deadly Than The Male
More Deadly Than The Male
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My Laugh Comes Last
My Laugh Comes Last
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Not My Thing
Not My Thing
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So What Happens To Me?
So What Happens To Me?
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Tell It To The Birds
Tell It To The Birds
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Whiff Of Money (The)
Whiff Of Money (The)
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You Have Yourself A Deal
You Have Yourself A Deal
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You're Dead Without Money
You're Dead Without Money
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